'Planetary Confinement' is the third antimatter album, unlike their first two albums, which were more of a trip-hop albums, this is a melancholic rock album that relies on acoustic instruments. The interesting thing on this album is the fact that this is pretty much an album with two different bands.
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Planetary Confinement is the third album by the UK band Antimatter, released in 2005.
Track listing[edit]
Credits[edit]
English Sessions
An acoustic performance recorded in Studio 33, Liverpool, July 2004. All songs and orchestral arrangements by Mick Moss
Irish Sessions
All songs by Duncan Patterson, except 'Mr. White' by Trouble
Notes[edit]
References[edit]
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Planetary_Confinement&oldid=872993025'
‘Eduardo Rivadavia’ : If it doesn’t wind up signaling the very end of Antimatter, Planetary Confinement will, at the very least, close a chapter in the fruitful partnership between core members and songwriters Mick Moss and Duncan Patterson, the latter of whom announced his departure shortly after their third album’s release in 2005. Tellingly, the duo never actually collaborated on these recordings, rather going about their sessions at separate dates and locations, and with entirely different casts of supporting musicians, then simply intercalating them for the final album release. That they ultimately mesh quite nicely even so is of little comfort pending further clarification about the band’s future, but given the circumstances, it’s worth noting that Antimatter’s “gray album” loses little in the way of overall quality. Both men continue to write songs of striking, economical beauty,… After that, all that’s left to observe is that Planetary Confinement continues Antimatter’s gradual replacement of synthetic music styles (electronic, techno, dub) with far more organic instrumental approach — making for a fittingly somber finale should the band really be over.
Antimatter – Planetary Confinement Tracklist
Licence YouTube standard
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